Deluge Upstairs (Tomorrow is a New Day) hand-cut paper 24 x 18 inches $850 One sweaty April day the old man who lived next door approached my house dressed in a white linen shirt, traditional Khmer red and white gingham scarf and black cotton pants. He placed his hands together in formal greeting and I…
The Strange Tale of the Magic Flying Whiteboard hand-cut paper 50 x 38 inches $2500 “In the year two thousand one hundred I will visit Paris. I will be 132 years old but it’s ok.” -Uncle Nan This work is inspired by a 48 year old Khmer man who lives across the street in my…
Shared Histories (Tule Lake) hand-cut paper, Sumi ink 50 x 38 inches $2500 Grandma Iida’s house was a yellow rambler in West Seattle with a delicate line of ever-present marching ants in the garage. Grandma was in a constant war with these ants who she persistently sprayed and trapped and poisoned and smashed. With similar…
As part of our Season Partnership with Seattle Public Theater, ArtXchange Gallery presents a mini-exhibition in their lobby curated especially for SPT’s new production of “The Liar.” Featuring works by Chin Yuen, Joan Wortis and Lauren Iida, this exhibition adds a colorful 60s vibe for this fantastic production of David Ives’ play.
Greg Owen will be exhibiting his Bearded Vizards series at ArtXchange Gallery in October and November 2016! Click here to view Greg’s work at ArtXchange Gallery!
The first thing that often strikes viewers of artwork by Joan Wortis is her impeccable sense of compositional balance, as well as her unusual and striking color choices. It is no surprise to learn that her extensive creative background includes time spent as a dancer and choreographer, as well as professional work as a designer…
ArtXchange Gallery is pleased to announce our partnership with Seattle Public Theater, at the Bathhouse Theater on Greenlake. Throughout their 2016/2017 season, ArtXchange Gallery will be curating collections of artwork in the lobby that will reflect and enhance each production. “We admire and support SPT’s commitment to community dialogue and integrating the arts into daily…
Humaira Abid’s ‘Self Portrait’ speaks bluntly about gender inequality By Michael Upchurch, in the Seattle Times “Exquisite craft and barbed wit blend perfectly in the work of Humaira Abid. Her medium is wood. Her focus is on social inequities. Her feelings, particularly, about the roles that women are expected to play in her native Pakistan…
Pacific Northwest artist Elaine Hanowell has been perfecting her lighted sculptures of fish since 1986. After a large commission in 1989 by Tom Douglas for his restaurant, the Dahlia Lounge, Hanowell’s lighted fish became a signature style of the restaurant and her work. 30 years later, her work is now in homes and public collections…
Read “Dialogue of the Unsent,” an article about Deborah Kapoor in Surface Design Journal.
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