Thank you to writer Kiyomi Kishaba for a thoughtful review of Lauren Iida’s solo show, Citizen’s Indefinite Leave, in the Feb 2022 issue of the International Examiner. Read the full article here!
“Iida’s main art form is hand-cut paper. Her previous piece Memory Net is a 30-foot long paper intricately cut to resemble a fish net that catches “Memories.” The net features countless objects including a wine glass, an envelope and a small table.
This incredible piece of art is featured in Citizen’s Indefinite Leave in the pieces Preservation and Transplanting. Preservation depicts a woman seemingly knitting the memory net holding dice, glasses, flowers, and fruit. This collection of items could be an homage to the pastimes of internment. Many Japanese Americans began gardens outside their barracks, despite the harsh weather several camps faced. Children entertained themselves with games while adults created entire communities including schools, newspapers, police stations, and sewing classes. On the Densho website, Iida describes the glasses as a symbol for “pursuing education and holding oneself to a higher moral standard in the face of oppression.” Preservation could also be an homage to Iida herself as she “preserves” these memories in her artwork for future generations.
Transplanting captures three individuals bent over the memory net flowing out of the frame. They hold the net, appearing to examine the contents. The title of Transplanting alludes to, perhaps, the transfer of seeds to dirt so they can grow and prosper in the coming season. The memories of the net are being transplanted into the hearts and minds of these individuals, as this art collection does for those who view it.”
~ Kiyomi Kishaba
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